That is an excellent reply.
Funnily enough a mate of mine and keyboard player in a band with me has been collecting all his life and even wrote a book on his obsession with Star Wars (
https://www.amazon.co.uk/Waiting-Star-Wars-Phillip-Heeks/dp/1326583220). The funny thing is he just enjoys the films and doesn't go into the nerdiness of them and you could say he's a true fan who has spent 100s & 1000s on collecting (I estimate at least £250,000).
nerds annoy me with stupid statements.
You could actually pick apart every second of any Star Wars movie if you want to compare it to real science.
Well your friend with his unusual stoicism and passiveness in his Star Wars obsession is unfortunately very unique example. I've spent most of my life beside, along and among Star Wars nutters and not once have I encountered one that wasn't a bit of a loud, sarcastic, nerdy opinionated smart a-s and to be honest that's what I love about them and that's why I hang out with them. And when we discuss the original trilogy against the new Disney malarky, we are fully aware that OT had problems. But if you consider Luke's ingenious plan in Return of The Jedi was absolutely retarded piece of screen writing, then 90% of visually stunning, superbly animated on screen vomit that we encounter in TROS must be coming from sort of AI online plot generator.
Summarise any part of the story to yourself as if you re-telling this story:
Our heroes need to find a bad guy. To find him they need a thingy. How do we know they need a thingy? We don't know it's probably a known thing. So they go to the first planet that pops to their mind, to find anything related to the thing and right next to the parking lot they fall through a thing, and under that thing, right there, in exactly that spot somehow is another thing that can be used to find the thing that was needed to find the guy. It's not the thing that they were looking for in a first place but somehow this thing will do. No further search required. How does that work? Who left the thing that helps to find the thing that helps to find the guy? Well, just go with it. Oh and by the way - that spot, next to the parking lot, on a random planet is conveniently related to another thing - it's a thing from Rey's past thing. Cause these things are totally happening now. So they take that thing that helps to find the other thing (that helps to find the guy) to another planet, for no reason whatsoever. Randomly land somewhere, and in the very first place they walk to, against hundreds of thousands of miles of the coast they discover that the thing they found turns out to be an outline of the thing marking the exact spot where that other thing (that helps to find the guy) is located. And in case you were confused everywhere they go the other bad boss pops out to have a ziggiddy zappy duel and see if he can maybe not lose this afternoon even if he lost that very morning, and maybe win a kiss? Because... things. Every part of the plot in TROS is of exactly that quality. Like a computer game with badly lined up missions.
We are grown ups SexyGreyFox, we don't have to be nice to Disney. If you bought album of a legendary band and it had rich arrangements and was solidly produced but the music was turdy, solos were sloppy and below par with lyrics that mostly go "la la la, ow ow, na na" - you wouldn't try to dress it up to your friends by the pint of beer and come up with excuses that "this was what the band wanted to convey to us, this is their magnum opus commentary on blandness and mehness of modern society" - you know ****show when you encounter one. This is just the same.
We elevated this franchise to what it is now, we kept the flame going. We only get those course corrections in the lore every 20 years and many of us might not live long enough to see another one. It was a hobby, a fandom, it consumed chunk of our lives. And what we got was a good start, then Ryan Johnson masturbating all over the lore and destroying all the setup, then a pretty movie with **** script. It's a **** ending to **** trilogy and what's worse - it urinates and tramples over the legacy original trilogy. If OT was "Ride The Lightening", "Master of Puppets" and "Justice For All" - this trilogy is "Reload", "St. Anger" and then "Lulu". You might say "but I don't mind St. Anger and I often find myself reflecting on the meaning of 'I'm a chair, I'm a table' lyrics of Lulu" but deep inside you know - we forking deserved better.