Velvet Buzzsaw.
Dan Gilroy's ambitions foray into the popular and well established drama/horror/art world satire genre has received mixed reviews—including a frankly bizarre 2.5 on RoberEbert.com—but I personally believe it's one of his best works.
Jake Gyllenhaal and Toni Collette are the standout performers. John Malkovich is criminally under used, with no opportunity to show off his full powers. Tom Sturridge deserves credit for his excellent portrayal of an oily, backstabbing Boer.
The cinematography is superb, thanks to the genius of Robert Elswit. His long shots are particularly impressive. Colours are bold, brilliant, and almost oppressively strong. Gilroy insisted on a wide gamut colour pallette (which added an extra $2.5 million to the budget) and this decision has been utterly vindicated by the final product.
Velvet Buzzsaw aggressively explores the intercourse between postmodernism and late capitalism, while challenging the audience with poignant questions about subjective reality, human identity, and interpretive transactionalism. It is very much a film for our time, but also a film for times that are not ours, and might never be.
Gilroy is confrontational (as always) but never gratuitous. He speaks directly to us, yet also through us, and in some cases beyond us. In this sense, it is the story that invites interpretation, rather than the other way around.
I rate Velvet Buzzsaw at 26.64 on the Haglee Scale, which works out as a glorious 8/10 on IMDB.