Rocketman: Elton John's self produced bio-pic that goes from his early life to his career resurgence in the eighties. Full of his songs merged into the film (more like "Mamma Mia" than "Queen"). It paints no one in a good light (especially those who crossed Elton John apparently). Even Elton John comes across as petulant, hedonistic, vain, angry and generally awful, driven by his huge talent into the world of super stardom, while suffering from the issues caused by the lack of love from his parents. A fantastic and surprisingly accurate performance from Taron Egerton, who looks like a prettier version of John, with a very good impersonation of his singing (though I wouldn't put it past the production to have fed some of Elton's own voice into the mix). Bryce Dallas Howard and Jamie Bell are good as supporting characters. I suppose it's an indication of Elton John's eventual happiness that he's willing to produce his life story, warts and all, but I'm suspicious that like any patron, he's insisted on a nicer portrait than real life, which makes me wonder if he was even more horrible than the film lets on.
Long Shot: Seth Rogan does his usual Hair Bear act as a strident journalist out to save the world one article at a time, forced to resign when his small newspaper is bought by the massive conglomerate he's trying to expose. He meets an old childhood friend (Charlize Theron) who's now a female politician one step from the next US presidency, and takes a job as her speechwriter. It's a standard "boy meets Secretary Of State, boy loses Secretary Of State, boy finds Secretary Of State again" rom com.
I liked the first two thirds when it was more romance than comedy. Despite the fact that Theron is stunningly beautiful, and Rogan looks like a wookie in a fruit salad tracksuit, it's believable that they get together. She's driven, brilliant, beautiful, on her way to being President of the US and out to save the world, but also terribly isolated and alone, having sacrificed everything for her career. Rogan connects with her, and shows her there's more to life than politics. He's good for her, but not for her public image if she wants to be President. There's a few surprisingly raunchy scenes to show how Theron's character is as much human as she is politician.
Where it falls apart is in the last act where it seems as if the writers suddenly realised they had a load of jokes they needed to stuff into the movie. Using a joke done better and done first in "Something About Mary", they rush through the final part of the film to get to the expected happy ending.