Maybe I'm just being dumb using the incorrect term of fanboy.
It came across to me that many people who read the books rated the trilogy on how great it was as a port over of the books. Reading the reviews on IMDB suggests so. This bothers me because it meant all 3 got in the top 30 of all time greatest films based heavily on that fact, much higher than many films that were much more imaginative, original and just better. LOTR was lazy script and screen writing. Characters did things for no reason that you couldn't understand (unless you read the book). It relied heavily on wow graphics and sets. Neither film could stand on it's own either, even Star wars you could watch either episode alone and be done with that. The fellowship, at 3 hours long was just a 3rd of a story from a book, that isn't a movie to me. Granted the casting was good but for someone who didn't read the books I found it dull and disappointing. A film shouldn't rely on a book to make it. A film should stand on it's own as a film and a story, particularly if it means it's going to come in so highly on a rating table of other films.
The hobbit is just ONE book, yet they're stretching that over 9 hours too!! So what are they screen writers going to do with that? If they make stuff up and deviate from the book they will be thrown to the lions by the masses of fans of the book so instead they are going to drag it all out when it should have just been one film.
Sorry, not a rant. Just disappointed because I thought it could have been better/different.
This is a pretty common feeling about the films, and it's one (as an aspiring filmmaker) ive spent many hours considering. I'll attempt to try and figure out with you, so i apologise for the long post.
I didnt like the books. I felt it chock-full of boring, meandering wishy-wash. It's great if you like leaves and poetry and family trees but as a story, it's an incredibly difficult read. Herein, however, lies the problem.
LOTR is not a story. Not really. What Tolkien did was literally create a world. He created a planet with a huge population and history and fully working languages with grammar and tense and evolution of their own. The book wasnt a story, it was a legend. It could almost have been a real history. There was, of course, a story within it. Of Frodo and a ring and some wizards and whatnot; but it's really buried in there in what is, without argument, quite a difficult read.
Now here's where the translation to film is interesting.
The story translates relatively well to film, as it turns out. As a basic structure, i mean. in reality the story is 30+ hours long so an absolute transfer is impossible and in any case, people who argue that a film "doesnt follow the book" dont truly understand how films work. And thats ok. If a film is good, you shouldnt notice how films work. It should literally never enter your thoughts. You should never say "that part was too long" or "that was too fast" because a truly good film is like a truly good pie... everything just works well together and you're left considering what a damn tasty pie it was; not trying to figure out which ingredient stood out the most and why it bothered you.
So the merits of the LOTR film wasn't really the story. We all know Frodo and Sam are a bit pro-homo, and Frodo is a massive whiney git by the end and there are 8 endings that drag out. That's never been in contention. The merits in LOTR is the sheer production of the film series.
If you're interested in the way films are made, the special features for LOTR are truly incredible. It's almost impossible to even describe the sheer scale of the production to someone who isnt interested in film production. But i'll give it a bash.
An entire economy for an actual country was rebuilt on the back of these films. The sets were beyond anything made before for any film. And they were made twice, once big and once small. And i dont mean just the walls and doors, i mean every knob, accessory and detail. The sheer scale of the production in terms of man hours and actual hours. Hobbiton, for example, famously built 2 years before filming to allow all the flowers to grow in and look like a working, worn in village. Edoras, built on an actual mountain in full scale with each bit carried up by helicopter. I can think of 2 completely brand new ways of filmmaking invented on the set of LOTR: Forced perspective with a moving camera, never done before. A new computer program that was designed to create thousands of "extras" that all acted independently and reacted to their environment. These are big deals.
So to cut this short (i could honestly talk at great length about this, it's my passion), the high praise for LOTR is actually quite the opposite of what you describe. Most of the "fanboys" from the books dont like the films. Christopher Tolkien absolutely despises the films. There were certain changes made to the story to allow for a film translation as filmmaking doesnt follow the same conventions as writing a novel (we can discuss that too but ive typed enough!). Most of the praise for the films comes from the sheer, unmatched scale of the behemoth production. It had never been done before and it hasnt been done since. It truly changed the way films are made (consider it yourself, how many films since 2001 are trilogies? People are willing to watch a story stretched over several episodes now).
If you dont like them, that's fine, i can actually totally understand it. Im in love with them, but not for the story. I can totally see why people would find it irritating and slow. I try to not be a fanboy about it, but i do genuinely find the project fascinating and awe inspiring.
Interestingly the studio initially refused to let The Hobbit become a trilogy of films. Jackson had to beg them over and over, as they were bringing material in from Silmarillion and Unfinished Tales as well as just The Hobbit. They did that to give a more complete view of Middle Earth, and so that it ties in easier with LOTR as a work of fiction, not just as a prequel.
Sorry. Giant Wall of Text Crits You for A Billion Damage.