Soldato
- Joined
- 26 Aug 2012
- Posts
- 4,448
- Location
- North West
aren’t they all but we still watchGodzilla X Kong
Absolutely ******* terrible.
aren’t they all but we still watchGodzilla X Kong
Absolutely ******* terrible.
I've never heard a single person say Midsommar is scary.
Broadly speaking it's a horror film, but not every horror film is scary. You sound like you might not be the target audience.Here directly from Wikipedia
"Midsommar is a 2019 folk horror film written and directed by Ari Aster"
I have never heard of anyone trying to make a horror movie that wasnt scary.
I've never heard a single person say Midsommar is scary.
Yep, plenty of horrors are intended to be uncomfortable or uneasy, not everything has to be jumpscare after jumpscare. Also, is anything really scary now to us adults?Broadly speaking it's a horror film, but not every horror film is scary. You sound like you might not be the target audience.
Utility bills?Yep, plenty of horrors are intended to be uncomfortable or uneasy, not everything has to be jumpscare after jumpscare. Also, is anything really scary now to us adults?
When i first watched it i didn't like it either.Midsommar - 3/10 - After hearing the hype and having not seen this before, I am a little baffled how this can be considered a brilliant and scary movie. I know there meant to be a lot of subtle meanings and emphasis on their cult and beliefs but it was too long and boring tbh. I really didnt give a **** about any of the characters or what happened to them at all. Maybe its too subtle for me but definitely not my cup of tea.
Rebel Moon: Part Two - The Scargiver (2024) - 4/10
Watchable but kind of pointless eye candy with plenty of slow motion farming.
The plot is less varied than the first part with a singular theme but nothing much interesting or engaging happens until the second half which is full of stylish and impressive battle scenes.
The CGI’s excellent but the moody theme would have been better had the film had a higher age rating, showing the violence and blood instead of cutting away each time.
The dialogue’s trite, the characters get little if any development and whilst the score is dramatic, the delivery rarely is.