Caporegime
Ignoring the pettyness in the author's articulacy and choice of expressions - it's comicbookmovie.com.. comic nerds alert - he has a damn good underlying point.
The first two films were epic (more so the second). Epic stories, epic works of cinematic greatness, highly polished and no gaps in the plot. TDKR had (cinematic) technical and story line flaws. The first two didn't, so why does the third suffer?
There were questionable moments of "Er, what?" in the plot. I even said, out loud, "what?!" several times throughout the film - when the "Prison" was just a hole in the ground. When it turns out that the prison has a "medic" inmate. When it turns out that the only person to ever escape was a pre-teen child, and so on. When Talia stabbed batman - not because I was "surprised by the twist" - but because it just didn't make any sense. I was also very let down by the second fight with Bane being such a contrast to the first fight.. bane is supposed to be the stronger, by far. In the first fight, Batman's attacks are futile.. why does Bane suddenly get knocked back by his punches in the second?
In fact all of the prison scenes are utterly crap. All of them. "It is your soul that is holding you back" ... just ... what?!
Tom Hardy was ace as Bane. I can't think of any actors that could play him better, or even at all, Live or Dead. Anne Hathaway was good as Catwoman. And she's an actress I generally don't like. Michael Caine is *SUPERB* as Alfred, as is Gary Oldman as Gordon (though he was severely underused in this one, imo). Morgan Freeman is good as Fox. Whoever it was that played Miranda/Talia is very easily forgotten.
I'm unhappy with TDKR, not because it is a bad film, but because it's not an epic film (like TDK is) when it so easily could have been. Clearly the producers/investors got impatient, and possibly even had more input into the story than they should have. The complaints I and that site make are because it appears the film and story were changed at the last minute, or worse, the film editing was sabotaged.
It's like Ferrari have released a new super car and every chance they got they told us it's great, it's better made than their last car, which was a damn fine bit of automotive creativity and engineering. But it's not really that super. It's a Ferrari no less - but it's limited to 100mph ... and can only turn left.
Like many, I await the Director's cut to see if Nolan had other plans for what turned out to be a closer-to-mediocre-than-epic film that was destined to be epic.
The first two films were epic (more so the second). Epic stories, epic works of cinematic greatness, highly polished and no gaps in the plot. TDKR had (cinematic) technical and story line flaws. The first two didn't, so why does the third suffer?
There were questionable moments of "Er, what?" in the plot. I even said, out loud, "what?!" several times throughout the film - when the "Prison" was just a hole in the ground. When it turns out that the prison has a "medic" inmate. When it turns out that the only person to ever escape was a pre-teen child, and so on. When Talia stabbed batman - not because I was "surprised by the twist" - but because it just didn't make any sense. I was also very let down by the second fight with Bane being such a contrast to the first fight.. bane is supposed to be the stronger, by far. In the first fight, Batman's attacks are futile.. why does Bane suddenly get knocked back by his punches in the second?
In fact all of the prison scenes are utterly crap. All of them. "It is your soul that is holding you back" ... just ... what?!
Tom Hardy was ace as Bane. I can't think of any actors that could play him better, or even at all, Live or Dead. Anne Hathaway was good as Catwoman. And she's an actress I generally don't like. Michael Caine is *SUPERB* as Alfred, as is Gary Oldman as Gordon (though he was severely underused in this one, imo). Morgan Freeman is good as Fox. Whoever it was that played Miranda/Talia is very easily forgotten.
I'm unhappy with TDKR, not because it is a bad film, but because it's not an epic film (like TDK is) when it so easily could have been. Clearly the producers/investors got impatient, and possibly even had more input into the story than they should have. The complaints I and that site make are because it appears the film and story were changed at the last minute, or worse, the film editing was sabotaged.
It's like Ferrari have released a new super car and every chance they got they told us it's great, it's better made than their last car, which was a damn fine bit of automotive creativity and engineering. But it's not really that super. It's a Ferrari no less - but it's limited to 100mph ... and can only turn left.
Like many, I await the Director's cut to see if Nolan had other plans for what turned out to be a closer-to-mediocre-than-epic film that was destined to be epic.
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